- GALLERY 0
- GALLERY 1
- Figures in a Garden
- Stars and Figures
- Perseids
- Mono-Eyeglass
- Ordinary Objects in Unusual Illumination
- Autonomous
- Labyrinth of Desire
- The Temptation of St. Anthony
- Hermogon
- Stroll in the Garden
- Egypt
- Bread Field
- Equinox
- Grass Heart
- Wealth of the Poor
- Tuesday
- Magical Shadows
- Map
- Field
- Archetypes
- Gladiator Arena
- Wedding of the Morning
- Castle of Twilight
- Four
- Poet and Bird
- Africa
- Earthly and Heavenly Garden
- Flowers of Little Ida
- Flowers of Laura
- Wedding of Dawn
- GALLERY 2
- Typology I
- Typology II
- Typology III
- Typology IV
- Slow Light I
- Slow Light II
- Slow Light III
- Slow Light IV
- Slow Light V
- Slow Light VI
- Different Light
- Heavy Light I
- Heavy Light II
- Old Light
- Untitled I
- Untitled II
- Untitled III
- Two Signs
- Signs
- Foundations
- Day Stars I
- Day Stars II
- Colored Circles in a Square Field
- BUCOLICS
- GEORGICS
- SQUARE AND CIRCLE
- Lolita
- Full Moon and New Moon
- Egyptian Star
- Oneness
- Sign
- Samson
- Garden with Figures
- Rest of Values
- Rain on Butterflies
- Moirai
- Gaia
- Uran
- Mother with Child and Two Stars
- Lunar Sign
- Labyrinth with Three Signs
- Signs of the Morning
- Lesbos
- Source of the Morning
- Dancing Princesses
- Ariadne’s Thread
- Garden with Six Holes
- White Magma
- Collage
- Family
- DREAMS IN BOXES
- METAMORPHOSIS
- EXISTENCE AMID EXISTINGNESS
- Joy and Beginning
- Anthropofauna
- Arena I
- Arena II
- Passion of Rest
- Heathen Celebration
- Angels with Variable Essence
- Sunny Garden
- Wedding of Dawn
- Theater of Conversations
- Wealth of the Poor
- Alabaster Light
- Wedding Procession in the Evening
- Longing Geometry
- Love Stroll of Youths
- Eden
- Prophets in the Gardens of Love
- Sand Princess
- Southern Signs
- Lucia’s Garden
- Venetian Moon
- Images of Names
- Creation
- SCARLET’ PATH
DREAMS IN BOXES
The phenomenon of dreaming rearranges the manifestations of existence within the space of individual psyche, imparting new meanings to images and situations already lived.
Dreamed images and situations become different images and situations. The paintings, once again presented in the same artistic format, as an allusion to the familiar reality of the experienced in relation to the unpredicted difference occurring in the dream, are another manifestation laden with new artistic pretension.
The “same” paintings are now “other.” Each new conception condemns the known, once-already image to alterity. Uncontrollable by reason, cognitive processes undergo a collapse in the territory of dreaming; the familiar, or at least recognizable, images in the dream structure surprising situations, articulating speculatively with the conviction of realities.
The familiar, real image ceases to be itself in the dream.
Rumen Chitov