EXISTENCE AMIDST THE EXISTING
The painting is self-similarity.
Realized, I exist.
My self-similarity emerging amidst the already existing—what is the meaning?
The painting, presented to the public—where is the foundation?
The existing does not justify existence.
Meaning and foundation lie in the impulse to touch beauty.
Beauty justifies the existing.
Beauty justifies existence.
Rumen Chitov
Arena I
50/70, mixed technique, paper
Arena II
50/70, mixed technique, paper
Passion of Rest
50/70, mixed technique, paper
Heathen Celebration
50/70, mixed technique, paper
Angels with Variable Essence
70/50, mixed technique, paper
Sunny Garden
70/50, mixed technique, paper
Wedding of Dawn
50/70, mixed technique, paper
Theater of Conversations
50/70, mixed technique, paper
Wealth of the Poor
70/50, mixed technique, paper
Alabaster Light
65/52, mixed technique, paper
Wedding Procession in the Evening
70/50, mixed technique, paper
Longing Geometry
65/52, mixed technique, paper
Eden
65/52, mixed technique, paper
Love Stroll of Youths
65/52, mixed technique, paper
Prophets in the Gardens of Love
65/52, mixed technique, paper
Sand Princess
48/55, mixed technique, paper
Southern Signs
50/70, mixed technique, paper
Lucia's Garden
50/70, mixed technique, paper
Venetian Moon
95/70, mixed technique, paper
Images of Names
50/70, mixed technique, paper
Creation
50/70, mixed technique, paper