- GALLERY 0
- GALLERY 1
- Figures in a Garden
- Stars and Figures
- Perseids
- Mono-Eyeglass
- Ordinary Objects in Unusual Illumination
- Autonomous
- Labyrinth of Desire
- The Temptation of St. Anthony
- Hermogon
- Stroll in the Garden
- Egypt
- Bread Field
- Equinox
- Grass Heart
- Wealth of the Poor
- Tuesday
- Magical Shadows
- Map
- Field
- Archetypes
- Gladiator Arena
- Wedding of the Morning
- Castle of Twilight
- Four
- Poet and Bird
- Africa
- Earthly and Heavenly Garden
- Flowers of Little Ida
- Flowers of Laura
- Wedding of Dawn
- GALLERY 2
- Typology I
- Typology II
- Typology III
- Typology IV
- Slow Light I
- Slow Light II
- Slow Light III
- Slow Light IV
- Slow Light V
- Slow Light VI
- Different Light
- Heavy Light I
- Heavy Light II
- Old Light
- Untitled I
- Untitled II
- Untitled III
- Two Signs
- Signs
- Foundations
- Day Stars I
- Day Stars II
- Colored Circles in a Square Field
- BUCOLICS
- GEORGICS
- SQUARE AND CIRCLE
- Lolita
- Full Moon and New Moon
- Egyptian Star
- Oneness
- Sign
- Samson
- Garden with Figures
- Rest of Values
- Rain on Butterflies
- Moirai
- Gaia
- Uran
- Mother with Child and Two Stars
- Lunar Sign
- Labyrinth with Three Signs
- Signs of the Morning
- Lesbos
- Source of the Morning
- Dancing Princesses
- Ariadne’s Thread
- Garden with Six Holes
- White Magma
- Collage
- Family
- DREAMS IN BOXES
- METAMORPHOSIS
- EXISTENCE AMID EXISTINGNESS
- Joy and Beginning
- Anthropofauna
- Arena I
- Arena II
- Passion of Rest
- Heathen Celebration
- Angels with Variable Essence
- Sunny Garden
- Wedding of Dawn
- Theater of Conversations
- Wealth of the Poor
- Alabaster Light
- Wedding Procession in the Evening
- Longing Geometry
- Love Stroll of Youths
- Eden
- Prophets in the Gardens of Love
- Sand Princess
- Southern Signs
- Lucia’s Garden
- Venetian Moon
- Images of Names
- Creation
- SCARLET’ PATH
Our actions are threads woven into the fabric of our essence, an integral part of the tapestry of who we are. In crafting our own image, we assert our significance within the framework of our individual life projects. Yet, paradoxically, there exists a desire to disown it, to detach ourselves from our very selves. We yearn to reshape the created, to transmute it into a superior or, at the very least, a more pleasant illusion. This duality gives birth to the play, and within this duality lies the magnificence of the game.
If we harness the potential for the game to burgeon into art, we acknowledge the autonomy of the game, recognizing it as an inherent characteristic of artistry. The play, initiated from a distinctive artistic perspective and maturing into creation, becomes our tangible, essential image—the primordial archetype, the revelation of vera icon (the true image).
The transformation of perspective into creation is the essence of artistic triumph over life’s constraints, circumstances, and masks.
Rumen Chitov